
How do spaces—physical and digital—shape protest, participation, and democratic life?
This event brings together Jilly Traganou, Professor of Architecture and Urbanism at Parsons School of Design, and Teresa Retzer, curator, writer, critic, and Artistic Director of the Mesh Festival in Basel, to reflect on how art, design, and curatorial practice respond to contemporary political conditions. Moving between research, pedagogy, and practice, the discussion asks how dissent is spatially produced, who gains access to platforms of visibility, and when cultural practice becomes explicitly political.
Traganou will share insights from her research on design and dissent, with a focus on Copenhagen’s Christiania district as a site of prefigurative political practice, examining how alternative spatial arrangements enable social movements and collective imaginaries. Retzer will draw on her curatorial and research work on right-wing radical communities and media-driven publics, addressing how analog and digital infrastructures shape participation, exclusion, and political mobilization.
Together, they will consider current forms of protest and resistance, the role of art and design in moments of democratic backsliding, and how these questions manifest across teaching, publishing, curating, and institutional work. Grounded in concrete examples, the conversation invites reflection on how spaces are shared—or restricted—and how cultural practices can open, contest, or reconfigure the conditions of democratic life.
The session concludes with a moderated discussion, connecting the speakers’ perspectives to the present political moment and to the broader questions of accessibility, care, and collective agency explored throughout the Mesh Festival.
Program
- 12:00pm – Doors open
- 12:15pm – Welcome remarks
- 12:25pm – Discussion and Q&A
- 1:30pm – Networking & lunch bites
- 2:00pm – End
iCal / Outlook
Event start time
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New York
12:00PM
Contributors
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Bio
Jilly Traganou
Professor of Architecture and Urbanism
Parsons School of DesignJilly Traganou is Professor of Architecture and Urbanism at Parsons School of Design, affiliated faculty with the Doctorate in Public and Urban Policy at The New School for Social Research, and Visiting Professor in Architectural Humanities at Manchester Metropolitan University. Her work investigates the intersections of design, social movements, and politics, and her current research is focusing on prefigurative political practices and contexts of displacement. A member of the Poetic Spatial Writing group, she has co-organized several collaborative initiatives in experimental creative writing. Traganou has held fellowships from the Fulbright, Japan Foundation, the EU Postdoctoral program in Japan, Bard Graduate Center, and Princeton’s Program in Hellenic Studies, and has received grants from the Graham Foundation and the Design History Society. She is author of two monographs, Designing the Olympics and The Tokaido Road, and editor of several volumes on design, migration, dissent, and their intertwined histories. She has curated exhibitions, produced a film, and recently completed seven years as co–editor-in-chief of Design and Culture.
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Bio
Teresa Retzer
Curator, writer, and critic
Artistic Director, Mesh FestivalTeresa Retzer is Artistic Director of Mesh Festival Basel and a curator, writer, and critic working at the intersection of art, technology, and socio-political discourse. Mesh Festival interweaves art, science, and technological innovation, critically examining narratives of progress while translating complex debates into publicly accessible formats. Under her direction, the festival explores infrastructures of care and advocates for collective, democratic, and attentive forms of urban coexistence.
Educated in art history, philosophy, and media theory in Vienna, Siena, Zurich, and Basel, Retzer’s practice centers on live art — spanning computational systems, performance, time-based media, and discursive formats — that interrogate digital infrastructures and contemporary political conditions.
She served as Curator at ZKM | Center for Art and Media Karlsruhe and Haus der Kunst Munich, organized the performance program of Manifesta 11 in Zurich, and developed international projects across Central and Eastern Europe.
Since 2017, her research has examined right-wing extremist subcultures in Germany, Europe, and the United States, integrating these investigations into independent curatorial frameworks addressing democratic resilience and digital cultures. She has collaborated with Artists at Risk (AR), in partnership with the Goethe-Institut and the German Federal Foreign Office, supporting displaced artists from Afghanistan and Ukraine. Retzer regularly publishes in international catalogues and magazines and speaks on art, blockchain and decentralized systems, AI, and the politics of technology.

