Project Lead

Fiammetta Pennisi
This opening event marks the launch of the Planetary Embassy in Japan. It brings together perspectives from art, science, philosophy, and curatorial practice to introduce the concept of planetary diplomacy and the broader objectives of the program. Through discussion and exchange, the event reflects on how planetary dialogue can help address environmental complexity, consider non-human actors and ecosystems in decision-making processes, and foster new forms of international and interdisciplinary engagement.
Imagining Planetary Diplomacy presents a selection of projects from the global open call “NextGen: Imagining Planetary Diplomacy,” launched in 2024 as part of the Swissnex for the Planet initiative. The open call invited young artists, researchers, innovators, and practitioners from around the world to imagine what planetary diplomacy could mean in a time of ecological change.
The selected projects explore diverse approaches to planetary dialogue, engaging with the more-than-human world through artistic research, speculative futures, and systems of care across species. During the opening night, exhibiting artists and contributors will introduce their projects and share the perspectives behind their work.
The evening will also feature a panel discussion with Yuko Hasegawa, former Director of the 21st Century Museum of Contemporary Art and Visiting Professor at Kyoto University, Yasuo Deguchi, Professor of Philosophy at Kyoto University, and contemporary artist Hanna Saito, followed by a networking reception. It sets the conceptual framework for the subsequent events of the Planetary Embassy, which will address biodiversity, planetary thinking, climate action, youth engagement, entrepreneurship, and circularity.
Bio
Uryssé is a young indigenous leader of the Kuikuro people from Afukuri, in the Xingú indigenous territory in Mato Grosso (Brazil). He is a rapper, poet, slammer, writer, and has an indigenous rap group called Nativos MC’s. He studies language and literature at the State University of Campinas.
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Alekin is an activist for disabled people’s rights, enthusiastic about accessibility and conscious and sustainable fashion. Autistic and a musician, Alekin is majoring in Linguistics at the University of Campinas (UNICAMP).
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Iqra Bano is an Experience Designer interested in how people, technology, and the environment shape one another. Her work combines psychology, environmental studies, and interactive media to explore new ways of seeing and relating to the world around us.
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Sulamith Tamborriello’s artistic practice revolves around intersections where ecological
crisis, climate justice, and political participation meet. Working with transdisciplinary research and collective action, she creates demonstrations, participatory exhibitions, that often give rise to artistic objects serving as catalysts for further dialogue. Her work seeks to connect human and non-human forms of life through living processes of care. She currently lives, studies, and works in Zurich.
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Yelyzaveta Bezzub was born in Ukraine and is currently studying Art History in Switzerland at the University of Neuchâtel. She works at the intersection of art, culture, and research, with experience in exhibition projects, creative coordination, and fundraising. Her interests include interdisciplinary practices, contemporary cinema, and visual culture, with a focus on developing ideas and turning them into meaningful cultural projects.
Bio
Visiting Professor at Graduate School of Management, Kyoto University, in “Curatorial Theory and Practice”; Program Director of Art & Design at the International House of Japan; Honorary Professor at Tokyo University of the Arts; and Former Director of the 21st Century Museum of Contemporary Art, Kanazawa.
She has been honored with the Commissioner for Cultural Affairs Award (2020), the Chevalier of the Ordre des Arts et des Lettres (France, 2015), the Order of Cultural Merit (Brazil, 2017), and the Officier of the Ordre des Arts et des Lettres (France, 2024).
Hasegawa has curated numerous biennales in Istanbul (2001), Shanghai (2002), São Paulo (2010), Sharjah (2013), Moscow (2017), and Thailand (2021), and international exhibitions including Japanorama: A New Vision on Art Since 1970 at the Centre Pompidou-Metz (2017), and Fukami: A Plunge into Japanese Aesthetics in Paris (2018). Her publications include Art and New Ecology: Anthropocene as Dithering Time (Ibun-sha, 2022); Japanorama: Un Archipel en Perpétuel Changement (Centre Pompidou-Metz Éditions, 2017); and Performativity in the Work of Female Japanese Artists in the 1950s–1960s and the 1990s (Modern Women: Women Artists at The Museum of Modern Art, MoMA, 2010).
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Born in 1962. Graduated from and completed a doctoral program at the Faculty of Letters at Kyoto University. Ph.D. in Letters. His research fields include modern and contemporary Western philosophy and analytic Asian philosophy.
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Contemporary artist, born in 1988. After graduating from the Glass Course in Crafts at Tama Art University, she joined the biological art platform metaPhorest and began working with living materials.
Assistant Professor in the Faculty of Information Sciences and Arts at Toyo University since 2025, and doctoral candidate at The University of Tokyo (Kakehi Lab).
She collaborates with true slime moulds as nonhuman agents, exploring creativity as an emergent process across interacting systems.
Bio
With a background in architecture from ETH Zürich and the University of Tokyo, Fiammetta previously worked at Takenaka Corporation and interned at Kengo Kuma & Associates. With her broad multicultural background, she brings over four years of experience bridging art and science between Switzerland and Japan.
How can diplomacy, research, and cultural practice respond to environmental challenges that extend beyond human-centered frameworks? While presenting the exhibition projects, speakers from the fields of art, science, philosophy, and curatorial practice will explore how planetary dialogue can open new ways of listening, cooperation, and shared responsibility.
What if diplomacy listened to the Earth as well as to humans? Emerging from an international open call that invited young researchers, innovators, and artists from across the world, this exhibition presents visions of planetary diplomacy as a practice of care, attentive listening, and shared responsibility for life on Earth.
What might care look like beyond the human? In this hands-on workshop, participants work directly with slime molds to explore collaboration and cohabitation across species boundaries. Moving between theory and practice, the session combines trans-species thinking, bioArt, and slime mold biology with guided experimentation.
What does coexistence with the more-than-human require of us today? How can science, storytelling, and collective knowledge, help restore balance between humans and the living world? This event brings together film and dialogue to explore biodiversity, and our shared responsibility toward the planet’s living fabric.
How can energy innovation respond responsibly to complex, interconnected global challenges? This event invites participants to explore how humans, technologies, and ecosystems can act together to address shared planetary challenges.
What does it mean to enter into dialogue with the Earth? And how might young people contribute to a more just climate future? Join us to explore how youth engagement can foster climate futures grounded in care and coexistence.
Project Lead
Fiammetta Pennisi
Media Contact
Alice Rouaud
















