Anne Wiston Sprin, Cecil and Ida Green Distinguished Professor of Landscape Architecture and Planning Professor, MIT

Anne Whiston Spirn is the Cecil and Ida Green Distinguished Professor of Landscape Architecture and Planning at MIT. The American Planning Association named her first book, The Granite Garden: Urban Nature and Human Design (1984), as one of the 100 most important books of the 20th century and credited it with launching the ecological urbanism movement.

Since 1987, Spirn has directed the West Philadelphia Landscape Project (WPLP), an action research project whose mission is to restore nature and rebuild community through strategic design, planning, and education programs. Through experimental projects, WPLP seeks to demonstrate how to create human settlements that are healthier, economical to build and maintain, more resilient, more beautiful, and more just. A key proposal of the West Philadelphia Landscape Project is to manage the West Philadelphia’s Mill Creek watershed as part of a broad approach to improving regional water quality and as a strategy to secure funds to rebuild neighborhoods. In 1999, a White House summit for leading “Scholars and Artists in Public life” cited WPLP as a “Model of Best Practice.” For more on WPLP, see www.wplp.net and www.wplp.net/timeline.

WPLP employs landscape literacy as a cornerstone of community development and served as a laboratory for Spirn’s second book, The Language of Landscape (1998). The book sets out a theory of landscape and aesthetics that takes account of both human interpretive frameworks and natural process. It argues that landscape is a form of language with its own grammar and metaphors, and that we endanger ourselves by failing to learn and use this language.

In recent books, Spirn has continued to develop the concept of landscape literacy as part of the larger subject of visual literacy and visual thinking. Her award-winning book, Daring to Look (2008), presents photographs and reports from the field by the great photographer Dorothea Lange in 1939 and reflects on how the dynamics she saw and recorded in the Great Depression are still shaping American lives and landscapes. Spirn’s most recent book, The Eye Is a Door: Landscape, Photography, and the Art of Discovery (2014), is about seeing as a way of knowing and photography as a way of thinking.

Since the mid 1990s, Spirn has explored the role of the World Wide Web as a platform for teaching and as a forum for experimentation and expression. She continues to explore the role of photography, multimedia, and the Web in qualitative research.

Prior to MIT, Anne Whiston Spirn taught at Harvard University, where she was director of the Landscape Architecture Program, and at the University of Pennsylvania, where she was chair of the Department of Landscape Architecture and Regional Planning and Director of the Urban Studies Program.

In 2018 Spirn received the National Design Award and the Sir Geoffrey Jellicoe Medal. In 2001, she was awarded Japan’s International Cosmos Prize for “contributions to the harmonious coexistence of nature and mankind.” Her homepage is a gateway to her work and activities: www.annewhistonspirn.com

Joachim Homann oversees the collection of European and American drawings and watercolors. Homann studied in Göttingen, Munich, Karlsruhe, and Heidelberg and received a doctoral fellowship at the University of Hamburg, funded by the German Research Foundation. His dissertation focused on Habsburgian and Napoleonic art, politics, and the public sphere in Milan. A curatorial fellowship at the Harvard Art Museums prepared him for positions at the University of Texas, El Paso; Colgate University; Bowdoin College; and now at the Harvard Art Museums, where he returned in 2019. He has organized numerous exhibitions on European and American art with a special emphasis on works on paper. At Harvard, he co-curated American Watercolors, 1880–1990: Into the Light and Art and Value in the Early Modern Collector’s Cabinet. On Location: Drawing the Outdoors, his exhibition on 19th-century European drawings and watercolors, will go on view in Fall 2026. He is currently preparing for a class on landscape drawings, co-taught in Harvard’s Department of History of Art and Architecture this fall. Homann co-organizes the biannual international Summer Institute for Netherlandish Art, in collaboration with the Center for Netherlandish Art at the Museum of Fine Arts, Boston, and the Rijksmuseum, Amsterdam.