Sulamith Tamborriello’s artistic practice revolves around intersections where ecological crisis, climate justice, and political participation meet. Working with transdisciplinary research and collective action, she creates demonstrations, participatory exhibitions, and interactive readings that often give rise to artistic objects serving as catalysts for further dialogue. Her work seeks to connect human and non-human forms of life through living processes of care. She currently lives, studies, and works in Zurich.

Joanna Jue Wang is a cross-media artist and researcher pursuing a PhD in Computational Media and Arts at HKUST(GZ). Operating at the intersection of biosensing, computational art and spatial narrative, her practice combines expanded cinema, interactive art and hybrid placemaking to render new materialism tangible.

Liu Shuai is an artist and insect researcher. His practice grows from long-term observation of insects, birds, plants, and other life. Starting from the perceptual modes and temporal scales of different species, he reconsiders realities where society, history, and nature intersect.

Grounded in sites, his work combines fieldwork, experiments, and local knowledge. Through biological and material traces, he examines how human interventions persist in environments and shape relationships between humans and other life forms.His practice spans installation, video, writing, and public projects.

Liu Shuai was shortlisted for the Falling Walls Science Breakthrough of the Year in the Art & Science category and selected for the One-Way Street Foundation’s Sailor Program. He has received the RANRAN Exploration Award, Bio Art & Design Award, and Prince Claus Seed Award, with support from the Goethe-Institut’s “Local Knowledge and Pluralistic Ecological Perception” program

Yuting Huang is a researcher and curator based in Hangzhou, China. She currently works at BY ART MATTERS, where she contributes to exhibition research, curatorial development, and public programs. Her research interests focus on contemporary art in Asia, artist-led and self-organized practices, urban experience, and the ways exhibitions produce and circulate knowledge.