Swissnex x BATB: Visions for the Planet

Swissnex in China is supporting the Critical Media Lab from the Basel Academy of Art and Design FHNW at the Beijing Art and Technology Biennale (BATB), along with two artworks curated by Adrian Notz, AI+Art curator and lecturer at ETH.

BATB will run from October 25, 2024, to February 23, 2025. This year’s theme, “Earthwise,” invites a collaborative exploration of intelligence, highlighting the wisdom of animals, plants, and machines in the context of planetary intelligence.

The Critical Media Lab will present three compelling video installations by Tekla Aslanishvili, Ifor Duncan, and Solveig Qu Suess and text contributions by Aleksandra Aroshvili, Johannes Bruder, Ifor Duncan, Evelina Gambino, and Ishita Sharma that examine water and energy infrastructures, focusing on how the logistics of renewable energy give birth to the turbulent reformatting of nature and social life.

The two artworks curated by Adrian Notz, AI and Art curator and lecturer at ETH include “The Stack” by Janiv Oron, an audiovisual installation inspired by megastructure theory connected to the ETH Chair of Structural Mechanics and Monitoring lead by Prof. Eleni Chatzi. The second exhibit is “Superpositions” by Nolan Oswald Dennis, a geosonic installation that transforms geoacoustic data from South Africa, China, and Switzerland into sound.

Beyond the exhibition, Swissnex in China is also planning an event in Shanghai, featuring Adrian Notz who serves as the academic advisor for BATB this year. Swissnex in China plays a key role in fostering critical dialogue on planetary thinking. By connecting Swiss researchers and artists with Chinese counterparts, Swissnex in China supports dialogue to address global issues with creative solutions.

The Critical Media Lab (CML) is one of the two central labs of the Institute Experimental Design and Media Cultures (IXDM) at Basel Academy of Art and Design FHNW. The CML is an idea, a set of activities and a community of students & researchers working at the intersections of design, media, arts & technology. It is a space of possibility where a plurality of processes, practices, and resistances are channeled towards collective projects. CML practices depart from feminisms, queer theory, computation, intersectionality, anti-coloniality, disability studies, historical materialism and artistic practice to generate currently inexistent vocabularies, imaginaries and methodologies. “Critical” in this sense refers not to critique, but to articulating, imagining, altering, and configuring media and infrastructures for collectivity, solidarity, and abolition. We aspire to do critical work to strengthen the struggle against extraction, oppression, and exploitation, pursuing an agenda of justice and material equality.

Head of Critical Media Lab

AI+Art Curator from ETH

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